In its complexity and individuality, Johann Jacob Froberger´s oeuvre represents one of the greatest treasures of 17th-century harpsichord repertoire. For this recording, Anne Marie Dragosits have concentrated on Froberger´s lyrical side, with a strong tendency towards the French taste; however, as „postcards“ from his southern travels, three toccatas and a set of variations written in the Italian style are also included. Anne Marie Dragosits was born in Tyrol. After studying with Wolfgang Glüxam, Tini Mathot and Ton Koopman, she performed with renowned ensembles like vivante, braucco and the Munich Baroque Soloists all over Europe. Her special passion is the intense study of historical harpsichords. (www.dragosits.org) Anne Marie Dragosits plays a Cembalo, made 1658 by Girolamo de Zentis1 Toccata in e (FbWV 111) 3'19Suite in e (FbWV 607) 9'40''2 Allemande 4'353 Gigue 1'254 Courante 0'575 Sarabande 2'42Suite in a (FbWV 630) 8'52''6 Plaincte faite à Londres pour passer la Melancholie 3'317 Courante 1'078 Sarabande 3'039 Gigue 1'1110 Toccata in G (FbWV 107) 2'20''„auff die Mayerin“ (FbWV 606)11 Prima Partita | Seconda Partita | Terza Partita | Quarta Partita | Quinta Partita | 6.ta Partita: Grammatica | Courante sopra Mayrin | Double | Saraband sopra Mayrin 10'48Suite in d (FbWV 613) 8'49''12 Allemande faite pur remercier Monsieur le Marquis de Termes pour les faveurs et bien faits de luy recües à Paris 3'2113 Courante 1'1714 Sarabande 2'1615 Gigue, nomèe la rusèe Mazarinique 1'55Suite in C (FbWV 612) 11'40''16 Lamento per la dolorosa perdita della Real Maestà di Ferdinando IV. Rè de Romani 5'4317 Courante 1'3718 Gigue 1'1619 Sarabande 3'0420 Toccata in d (FbWV 102) 3'21''21 Méditation sur ma mort future (FbWV 620) 4'42''
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